15).Ĭlifford-Napoleone reframes the Kansas City jazz scene as one shaped by otherness, and she focuses on the nonmusical foundations of jazz. The refusal of canonical literature to see Chambers’s efforts to protect prostitutes and working-class women from the corrective morality of middle-class reformers constitutes what Clifford-Napoleone terms the “deterritorialization and reterritorialization of space,” a process that ultimately distorted the creative structures of scene-making into discussions of the roles that “great men” played in the development of jazz in Kansas City (p. Clifford-Napoleone also highlights women in this creative maelstrom, not only as performers who enjoyed long but somewhat obscure careers, such as Edna Mae Jacobs, but also as conduits for female agency and resilience, such as madam Annie Chambers. Institutions like Dante’s Inferno and the Spinning Wheel emerge as sites of gender nonconformity on the part of patrons and entertainers alike, and these venues’ significance rivaled that of canonical institutions like the Chesterfield Club, the Cherry Blossom, and the Subway Club. With her approach, lesser-known cabarets, clubs, and personalities fall into clearer focus. ![]() Scholars have ignored or downplayed them all, though this underworld shaped jazz in Kansas City. Rather than being just a place where the so-called Kansas City sound developed, the early-twentieth-century “Pendergast world” is exposed as one that also included prostitution, gender nonconformity, racial mixing, and displays of non-normative sexuality (p. Pendergast machine clashed with moral reformers who hoped to spatially compartmentalize vice. Thanks to her efforts, readers visualize the convoluted nature of early-twentieth-century Kansas City politics, in which the Thomas J. Clifford-Napoleone relies on a penetrative theoretical foundation, which includes works by Michel Foucault and José Esteban Muñoz, to resurrect Kansas City jazz scenes from the limited and misleading concentration on giant personalities from the 1930s and 1940s. Clifford-Napoleone’s Queering Kansas City Jazz: Gender, Performance, and the History of a Scene. These are precisely the subjects unpacked by Amber R. Such myopic practices ignore significant intersections of race, gender, class, non-normative sexuality, and spatial elements in the development of jazz scenes. ![]() Worse yet, the historical canon reimagines and sanitizes the jazz scene for a variety of motives that speak to the preconceived expectations of scholars and their need to characterize scenes, such as those found in Kansas City, as wide-open and licentious. ![]() The physical backdrop and spaces in which the musical scene developed and evolved are frequently subsumed in the story of “great men” who “did jazz”-Count Basie, Duke Ellington, and Charlie Parker, for instance. To help make Kansas City the premier destination for Jazz music and its infrastructure where career Jazz musicians find the scene to be a living-wage haven for families, live performances, teaching, and recording where visitors and community residents can find information about the venues and entities featuring Jazz performances conveniently and, where Jazz venues and presenters alike can regularly employ career Jazz musicians and also experience economic success.Current approaches to studying the history of jazz in the United States often focus on the stylistic and compositional nature of the music itself. Help continually build the public AWARENESS of the Kansas City Jazz Scene Serve the pulse of the entire Jazz Community as a LISTENING Body Serve our Jazz Community as a benign and neutral platform for integrating IDEAS Function as an informed VOICE platform to help articulate the state of the Jazz paradigm in KC Provide EXPOSURE to the existing economic infrastructure and those relevant career resources in order to constantly improve the conditions of the entire Kansas City Jazz Scene … HELP UNITE THE ENTIRE GREATER KANSAS CITY METROPOLITAN AREA JAZZ COMMUNITY
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |